A pioneer when Graffiti met the formal gallery ecosystem, artist Futura 2000 was known as early as the 1970s for his radical approach in the street, introducing abstraction to what was an entirely letter-based discipline. Born as Leonard Hilton McGurr, his work on canvas caught attention in the 1980s, and established him as a leading voice within a wider art movement that included the likes of Jean-Michel Basquiat, Keith Haring, and Kenny Scharf. Entirely self-taught in what he calls “the subway school”, Futura has been compared to Wassily Kandinsky for his mastery of color, geometric composition, and lines—and is celebrated alongside his friends Dondi White and Rammellzee for his progressiveness and of-the-moment dynamism.
Radical at the genesis of his career, his methodology and studio practice can now be viewed over the span of several decades as something consummately pure. Futura's creativity—articulated across canvas, paper, sculpture, photography, graphic design and large-scale mural work—shines as a result of its kinetic composition, elemental quality, and fully-original gestures. His work has been exhibited at notable art institutions such as the Museum of Contemporary Art (MOCA) in Los Angeles, MoMA P.S.1 in New York, the New Museum in New York, the seminal Fun Gallery—as well as, most recently, the Beyond the Streets exhibitions in Los Angeles (2018) and New York (2019), and Boston MFA (2020). Futura’s current gallery partner is Kaikai Kiki Gallery, founded by the artist Takashi Murakami of Japan.
As an artist who also has a dedicated commercial practice and product brand, Futura Laboratories. He has collaborated with partners such as Louis Vuitton, Comme des Garçons, Chanel, Nike, Off-White and Levi’s. Futura has also designed iconic album packaging for musicians such as The Clash, DJ Krush, and provided performance visuals for Lupe Fiasco and Virgil Abloh.
Original Works Leveraged for Artist Collection
Image courtesy of FUTURA 2000
Violent Treasure, 1990
Spray & Acrylic (First time FUTURA used these together)
Design first presented here:
Philippe Briet Gallery, NYC.
“I’ve always said, VIOLENT TREASURE, is one of my favorite paintings ever. why? the answer is, I don’t really know, I think it’s the year it was created  which was also the year my daughter was born, it was also a breakthrough piece at the time, with the addition of acrylic paint to a traditional spraypainting regimen. in short, I see the painting, in the same way as I look even further back, to my BREAK TRAIN from  with memories of MAJOR MAGIC. cut to the ARTWORK on the SKATEDECKS, and I must acknowledge RAMMELLEZEE and his iconic SKATEBOARD pieces from back in the day. INLOVINGMEMORY.” —FUTURA 2000
Image courtesy of Alchemist Art Café
Alchemist Art Café, 2019.
Enlarged site specific drawing on glass with vinyl adhesive
Dimensions: 18 ft x 18 ft
Design first presented here:
Miami Design District, 2019
“last year I had an opportunity to create some graphic elements used for the ALCHEMIST ART CAFÉ in MIAMI. a few characters, with “cafe in hand“ are fueling up and can be seen on boiler suits, cups, coasters, and a fantastic MODERNICA chair. I very much miss last year.” —FUTURA 2000